Showing posts with label family. Show all posts
Showing posts with label family. Show all posts

Wednesday, April 13, 2011

DVD Review: MASSACRE MAFIA style: the family Edition

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將作業 'Translate' 的回覆訊息本文還原序列化時發生錯誤。讀取 XML 資料時已經超過最大字串內容長度配額 (8192)。在建立 XML 讀取器時變更 XmlDictionaryReaderQuotas 物件上使用的 MaxStringContentLength 屬性,便可以增加此配額。 行 1,位置 9111。
Most people who know of Massacre Mafia Style, the epic underground low-budget gangster film from all-around entertainer Duke Mitchell, from its frenetically paced trailer, shown below.? Those of us who make it a practice to seek out these exploitation styled gems know that the film rarely lives up to the trailer.? Is Massacre Mafia Style another such manipulation?? How can a film possibly live up to a trailer this outstanding?? Read on...

While not necessary, it is helpful to have an understanding of Duke Mitchell as a person and an entertainer to fully appreciate Massacre Mafia Style.? Duke was a lounge singer, and a damned good one.? He was friends with Sinatra, he was Mr. Palm Springs, and in the 50's he was part of a Martin & Dean styled comedy team that starred in Bela Lugosi Meets a Brooklyn Gorilla.? He was also a proud Italian-American, and it came through in his work.? Massacre Mafia Style was actually Mitchell's second attempt at writing, producing, directing, and starring in his own films.? Gone With the Pope was the first, but it remained unfinished until 2009, when Oscar winning editor and founder of Grindhouse Releasing, Bob Murawski got a hold of it and released it in a touring print through his company.? Massacre Mafia Style was his second and final feature, and, I believe, by far the better of the two.

The film is the story of Dominic "Mimi" Miceli (Duke Mitchell's birth name), the son of an exiled mafia kingpin, who travels from Italy where he is in exile with his father, to Los Angeles to start up the family business again.? Mimi is a take no prisoners kinda guy, he finds a childhood friend who was also a member of his father's family, and they get to work doing the town.? The film is absolutely full of what seems like stereotypical Italian "goomba" behavior, but the whole thing has a very true ring to it.? In his first attempt to get the attention of the local crime bosses from church on Sunday, he kidnaps the local capo, an old underling of his father's, and holds him for ransom.? He announces his demands via a pinky in a box, in a scene that will bring to mind either the toe in The Big Lebowski or the turd in a box from Pink Flamingos, take your pick.? It works, Mimi gets his ransom and big crime boss is released in time to attend his son's wedding.? Who shows up to the wedding but Mimi and his best pal Jolly, apparently they rolled in on their balls of steel, and set up shop at the family table to talk business.

This is how Mimi operates, he sees what he wants, and he takes it, or at the very least, he makes sure no one else can have it.? Eventually he treads a little bit too heavily on the toes of the other bosses in town and they attempt to call in a hit, at which point Mimi and Jolly go apeshit.? They find out that a hit is in, and they don't bother finding out who placed it, they just go around killing anyone they think might be involved.? Again, that is how Mimi rolls, shoot first, ask questions later.

The film was not so much influenced by The Godfather, as it was a challenge to that film.? Duke Mitchell was an auteur, and even though he only made two films, he really made them count.? Mitchell packs Massacre Mafia Style with characters, all sporting mafia nicknames, but none of them really amount to anything.? Massacre Mafia Style is a one-man show, and we are lucky that the one man is Duke Mitchell.? He gives himself all the best lines, he gives himself the prettiest girl, he gives himself a couple of really nicely profound monologues, and he directs it in such a way that he is in almost every single frame of the movie.? For some films that wouldn't work, but with this one, it wouldn't work any other way.? Massacre Mafia Style is Duke Mitchell

Duke Mitchell had no idea that he was making an exploitation film.? You can tell that this film, while violent and ugly, was made with his blood, sweat, and tears.? Mitchell wanted this film to be epic, and while it may fall slightly short of that, it never, not for a second, fails to be entertaining and it overcomes its handicaps in spades.? You can tell that many of the people in the film are not actors, it is perfectly obvious.? I won't tell you that it lends any kind of realism to the film.? Their performances are stilted and most line readings feel like first takes.? However, like I mentioned above, it isn't a film about them.? Duke Mitchell could have been acting opposite cardboard cutouts and this film would have worked.? There is love here, it is in every frame.? Duke made damned sure that HIS film was done HIS way, from the script, to the direction, to the soundtrack, which is filled with his songs.

At the outset of this review I asked if this film would suffer the fate of so many exploitation films and fall short of the expectations built from the trailer.? The answer is a resounding no.? Massacre Mafia Style is the rare film that is better than its trailer, and at a lean 79 minutes, it never lets up.? There is no filler, in this film, it is all killer.

The Disc:

I'm not going to lie, Massacre Mafia Style is ugly on this DVD.? It has the look of an upconverted VHS tape.? This is probably exactly how it looked when it was first released back in the early eighties under the title, "The Executioner".? It is presented in a full frame, 1.33:1 aspect ratio, though I understand that it was projected at 1.85:1 originally, and zooming in on the image with my Blu-ray player leads me to believe that was true.? It crops to 1.85 beautifully.? The audio is similarly unremarkable.? It is presented in mono, which I'm sure was its initial theatrical appearance, and has an unstable sound, but the dialogue is clear, and the over the top sound effects are present as well, so no harm no foul.? All in all, for an exploitation film, it isn't the worst I've ever seen.? There is still some charm in a dirty, scratchy print, and warped sound, and I understand that, but seeing what can be done these days with digital restoration, it is a bit shocking when we do come across something that hasn't been cleaned up.? I don't expect Massacre Mafia Style is really a candidate for that process, and so I'll take this, it is better than nothing.

Where the Massacre Mafia Style: Family Edition DVD really shines, apart from the awesome film, is in the extra features.? For a film as obscure as this, I've never seen such a packed release.? The main feature contains no less than three full-length commentary tracks.? One from Duke's son Jeffrey Mitchell, a second from Duke's longtime friend Frankie Ray, and a third from Duke's friend and longtime valet of Frank Sinatra George Jacobs.? They aren't exactly scholarly, but they each have their moments, and are perhaps worth listening to once.? Also present on the first disc is that legendary trailer, presented in higher quality, presumably from a film reel rather than VHS.? The trailer is great, you can check it out below.

The wealth of extras continues on disc two.? The most impressive is an hour long documentary following the lives of Duke and his son Jeffrey.? For the many of us who are young, or weren't aware of Duke Mitchell's fame and/or notoriety, this is a great way to find out.? Jeffrey narrates much of the doc, adding in interviews from the above commentators and tons of great anecdotes from both his life and his father's.? Duke was not a gentle man, and he didn't take shit from anyone, so you get the feeling that Massacre Mafia Style was a sort of fictionalized autobiography, which make it even more entertaining, if that is possible.? Also included on the second disc are extended interviews with Frankie Ray and George Jacobs.? These interviews are hilarious, with Frankie and George going into numerous anecdotes about Duke, Sinatra, Lenny Bruce, and others that are really great stories.? I definitely recommend checking them out.? Rounding out the features are first a massive photo and audio gallery with photos from Duke's personal collection from Massacre Mafia Style and beyond and featuring a few of Jeffrey Mitchell's songs from the 70's when he was a working musician in the UK, also there is an audio recording from one of Duke's final live performances.? Good stuff, but nowhere near as good as the film itself or the documentary included on the disc.

Massacre Mafia Style is a great forgotten gem.? As of right now, it is only available legally through the official website.? The Family Edition is well-worth the $30 it costs, and normally I wouldn't pay that kind of price for a film, but this one is outstanding and a real winner.

Disc 1:
* Three commentary tracks featuring Jeffrey Mitchell and family friends Frankie Ray (comedy writer for Lenny Bruce) and George Jacobs (Frank Sinatra's assistant and valet). * Original Theatrical Trailer. * Rare Radio Spots, narrated by Duke Mitchell himself! * A preview for the upcoming release of An Impressionistic Tribute to Jimmy Durante, a Duke Mitchell concert film unseen for over 30 years!

Disc 2:

* Like Father, Like Son, a brand-new documentary on the life and work of Duke Mitchell featuring new interviews with Jeffrey Mitchell and family friends Frankie Ray and George Jacobs along with rare home movies and archival footage. * Extended interviews with Frankie Ray and George Jacobs. * An extensive still gallery featuring hundreds of exclusive photographs from Duke Mitchell's own private collection spanning his early career all the way to Massacre, full of candid behind-the-scenes photos and all set to the music of Duke Mitchell and featuring three seventies-era tracks from Jeffrey Mitchell: Jacknife, Whisky and In A Dream. * Rare audio recordings from one of Duke Mitchell's final live performances.

DVD-ROM Extras :

* The film's early treatments, rough draft and final shooting script available as PDFs.

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Wednesday, April 6, 2011

Examines human beings season 3: "lia" and "family of Adam.

bhs3.jpg

Being human returns to BBC America this Saturday, February 19 and what you know, BBCA people have enough to send along with the first two episodes of the new season review. For those of you unfamiliar with the premise, it seems little as potentially dirty the beginning of a joke: "a vampire, a werewolf, and one part ghost dish together..." "George (Russell Tovey) is the werewolf, a 20 far-too-bright-quelque thing trying just to try to be along and stay under the radar in the hope of not curse someone else." Annie (Lenora Crichlow) is the Phantom, playful young woman desperately during the boys in the absence of a life of its own. Then there is Mitchell (Aidan Turner), vampire from brooding with a century of sin behind him, trying to stay out of the blood.

Last season saw the show get his foot a bit as it has expanded its out mythology with the gang arguing with a defrocked priest trying to rid the world of supernatural threats. This contrasts with enough class tone working-class show (his two electrodes are janitors in a hospital, after all) and you get a smart reworking of the kind that helps minimize sometimes items off - it show. End of season 2 with the gang to withdraw to Moise after a bloody rampage by Mitchell has a lot of people after them - with inactivity, phased girlfriend George, Nina (Sinead Keenan), which George inadvertently infected during the first season. Serious the crisis for the first game of season 3: what happened to Annie, who was apparently exorcisee the priest and dragged into a kind of purgatory.

Lia

Much of this episode relates to Mitchell attempting to rescue Annie purgatory where she is trapped, while Nina and George try to find a place to safely the Wolf with the first full moon in their new home comes. There are also a few new characters loup-garou--drifters, really - the plot in what is sure to be one of the main stories of the season.

Then this is the thing--for all the virtues of the show, his greatest weakness is Mitchell. Turner plays which is on the page quite skillfully, it's just that what is on the page tends to be somewhat austere. Mitchell is a constant, incessant mope, wracked with guilt ready with an apology. Worse still, everything about him seems to effect: hair greasy, stringy, often low expression, mittens gloves pushing a slightly battered jacket.

It seems that Toby Whithouse showrunner recognizes, with one of the main plot of the episode involving the AAPC need dark to deflect blame. I dive in the plot too much more than to say that it is good to see that the difficulty of the personality of the character is something that authors hope to address.

Side plot involving stray werewolves made a detour a bit on an underground arena, but more than anything else than this bit it feels like a feint. Certainly werewolves to seniors and younger seem like they create you more opportunities for history of George and Nina later in the season.

Adam family

I knew it until this episode but I finally have the main theme of the human being: it is not on the slopes embrace their humanity, is their attempt to be simple people of the middle class. Awareness came to me like George and Nina collision part of sex to rescue Adam, a 46 year old vampire trapped in the body (and the State of mind) boy teen. Coalesced to me is basically, character who want to live a life simple and indefinable, but thanks to their curious are trapped in a spiral endless supernatural drama.

The hollowness of this episode is actually quite clever with George and Nina - people even though they are – trying to find a way to save the young vampire himself. He spent the last 30 years being protected by his parents, fed to it of their own blood. When they can no longer feed himself, he is desperate, particularly because he never met any other vampires that can guide or teach him. Mitchell is not willing to help, partly because it has its own problems arising from some of its most heinous actions last season in large part because Mitchell himself trying to go without blood, and the last thing he wants another vampire around is desperate.

Richard enter: And Emma, two incredibly wealthy vampires have a method to control their hunger and are willing to take the Adam young. The disdain they have Nina and George concerns not only the mythology of the show about vampires who have something against werewolves, but this upper crust very clearly against something middle class show do not. George and Nina can have a rough set of circumstances, but for all their problems they already have souls and basic human dignity - things Richard and Emma are clearly missing.

It is not so far that the episode is serious - still once, comes from two of its tracks crashing an orgy of good, old fashioned. Comedy bits are actually very efficient, which isn't really a surprise: the show tends to better function in its most anarchic bits.

Which is all sorts of a long way to say that the third season is a strong start. Yes, I still don't care for the character of Mitchell, but it seems that this season may be subject - well, not its redemption, but his conversion to something better. I am also very intrigued by some of the developments in mythology. Yet again, without spoiling anything too, there is the introduction of the prophecy of the overall plot seems irrelevant with more or less realistic elements from the previous season, but it is also logical sense of escalation of supernatural elements.

In passing, the character of Adam apparently got his own series of shorts called human fate, the first spinoff you can watch below:


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