Michael Rowe leap is an exercise in minimalism and intense character representation that while that convincing is let down by the fault in his own style of film logic.This could filmed anywhere and was human. It is a slow-burning which gives the solitary persona a troubling updating but drags its heels and the door effect due to the incredible plot.Laura (Monica del Carmen) is mostly quiet, troubled protagonist. The film opens with her shopping in a brightly lit driveway. His choice of grocery reflects her as an individual meals, instant, it verifies that she glances at a male; consumer nostalgia in his eyes.She goes home, performs many less laborious tasks. Deriving from his small apartment. It look through her window. a couple apparently normal in the next building around the became its objects of desire. Spend the day marked on the calendar. Every day is a clone of the front. She works at home bored masturbates and calls his family on the occasion; Word of mouth one lie about life, it is leading.This Malay routine continues for some time, until something eventuates different, it is weekend and it provides a home for some intense but short sex stranger. At first glance, it seems aspires intimacy, it reaches held just a few moments but the partner has been lost, even calls his wife to explain that it will be late home. It is completely disconnected from its situation.Other opening scene the camera doesn't leave the apartment and he begins to close in the creation of a sense of claustrophobia. She began an uncontrollable spiral for visits and it maintains a normal outside the facade, but inside aspires to something. The last day of the month is given to the important marks but is left without explanation.Her routines become more antisocial brings to home one night stands despair. One of them she hits for the manufacture of love, suddenly, she is happy and excited. It was step after looking all.A very disturbing image is then painted to Laura as she marks intimacy blend its schedule, its problems emerging Papa and his dysfunctional masochistic relationship with her boyfriend became more intense with each session performs several degrading and sadistic on it that venture in taboo acts. His desire to death becomes clear.The power shifts and is in control. It was from the outset, and sudden intention is clear.Leap year ends with a considered that really lets down the film. It is a logic problem. the plausibility of the parcel was really something that could not be ignored. It essentially sought a suitable depraved individual harm, as it is constantly disappointed by boring sex partners, it would randomly seek clubs. It has internet access, a telephone. There are many people easily find sado-masochists services, ways and this was ridiculous omission which could not be wasting half of the film random sex overlooked.nstead, Laura should have and would have been a source of his ultimate goal, because she was clearly on a timeline.
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