I saw Amer in Melbourne Hello Darkness film festival, I wrote two other entries, it is my late third.Amer is a force Visual tour that gives a new meaning to the candy.Its imaging the eyes of the term set out in the opening credits his neck breaking speed following all three steps of the ANA (Marie Bos) life and its distorted, ultra-sensitive perception. There is one end in detail compulsive visually and phonetically in each scene.The first sequence of Amer is Ana teenager as it intercepts overviews of the closure of the doors and partial conversations of presumably his parents, as it climbs the grand staircase in his house locked herself in her room. hide the dead body on the ground floor and monstrous grandmother who is assuming in witchcraft as the first sequence plays like an adult voltage fairy - tale .the palpable is the grandmother begins to seep into his bedroom to other means the show-business, in what is a sudden overload of primary colors moisten the screen; This is the same kind of horror that is exposed to sudden, also disturbing and strange dark. This that perceives the ANA and what reality is never explained and apparently traumatic childhood draws to a close, it is young and innocent slightly older and more sexually driven transition in which the second sequence.There no coherent story. Time is warped and all of it is absent in Amer. the movie works as an experience that most of the concepts for traditional manufacture of film are microcosm rejected.The details continue, suddenly Ana is streets; all what is perceived as a threat by means of his eyes, but the reality is much tamer. Mundane are regarded as something else entirely. The "threat", that it should deal with her mother is a motorcycle gang. An extended period is passed to analyze this meeting, nothing is said, just serious eyes are exchanged and every body function of Ana is scrutinized.In no time at all, Ana is a woman. Can hear camera pans in the bare flesh, soliloquising Ana, breathing very heavily, and then the full picture is revealed. It is simply squeezed between men on a bus. Such a scenario, innocent is given immediate danger and extreme sexual tension. The atmosphere is incredibly thick. She leaves the bus and penetrates into another car and a scrupulous chauffers man his. Sexual tension is abundant. close views display fully clothed body's clock, it is dizzying and exciting, clearly fantasize. His imagination he drives on a cliff, the car fell in a side view camera pans. His death reached orgasm heights.Finally it arrives perversion buckle his worrying abandoned mansion first witnessed when she was a child. Surrounds the verdant force of nature. overgrown shrubs and vines are acting as an antagonistic force but they also represent the primordial nature, outside of its general purpose control 70 score permeates most key scenes; the film is clearly paid tribute to the Italian Giallo Director and even harness the chaos of A dog Andalusian of Bunuel. Bitter could be interpreted as pure art, a canvas to paint the image of a sociopath who were disturbed. ?This assumption becomes evident in the final sequence when she returns home, stimulation and its awakening at its peak. Every gust of wind or snags on a branch causes an assault as prostration movie in a confusion disrupting the ecstasy of violent mutilation is strangely sexually charged as an invisible force oppresses it maims abruptly in a quick, accurate and detailed the manner.Amer is simply must watch movie. This is an incredible journey left wild interpretation which will leave an indelible imprint on all those who believe.
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